Martin scorsese presents the blues the soul of a man
- #Martin scorsese presents the blues the soul of a man how to#
- #Martin scorsese presents the blues the soul of a man plus#
- #Martin scorsese presents the blues the soul of a man series#
Johnson's vocal plea for an answer to the question "Just what is the soul of a man?" in this title track touches not only musical sensibilities, but moral as well. But if there was only one of any of the contributors' compositions to be included in this CD, I am thankful that it is Soul Of A Man, a musical search for the same. It is not Marc Ribo's performance that is wrong, it is the fact that that Scorcese or his producers felt the need to replace Johnson's incomparable guitar work and moaning in this piece, a recording of which which is included in one of NASA's space probes as a means of communicating in the event that it is picked up by intelligent life, with any cover at all. The only criticism of this CD is the Marc Ribot cover of Blind Willie Johnson's Dark Was The Night, Cold Was The Ground.
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The transition from dying "to take me to that burying ground" is absolutely bone-chilling! But his and his band's rendition of Blind Lemon Jefferson's See That My Grave Is Kept Clean is difficult not to hear one more time at the end of the collection. Lou Reed covers Skip's Look Down The Road with his raspy, captivating voice. We finally get to hear Skip doing Crow Jane that makes one want to go and search the bins in the music stores to find more of him doing more of his own. Hospital Center Blues cover takes us to task for basing the quality of health care on the quantity of wealth of the patient. The covers of Illinois Blues and Special Rider Blues demonstrate the versatility of Skip's compositions, and the Washington D.C. Bonnie Rait's and Lucinda Williams's covers of Skip's Devil Got My Woman and Hard Times Killing Floor Blues repectively pulsate with the pain of passion lost and poverty. The contributions of Nehemiah "Skip" James to this CD show so much more than his I'm So Glad covered acoustically here rather than the electric cover by Cream. Finally John Mayhall provides a haunting epitath in his own The Death of J.D.
#Martin scorsese presents the blues the soul of a man how to#
tell us boys how to find and keep a woman.
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In the covers of Voodoo Music by Los Lobos and Don't Dog Your Woman J.D.
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Shemekia Copeland covers Lenoir's God's Word of the hope that the Movement would bring. The cover of Down in Mississippi and the original Alabama tell of Lenoir's reminiscences of racial hatred in the South at the eve of the Civil Rights Movement. doesn't always practice what he preaches. Bush as they did to Lyndon Johnson when asked "How can you tell the world they need peace when you're still killing and mistreating?" Cassandra also passes along his advice to all of us in Slow Down, and the cover of I Feel So Good tells us that J.B. Cassandra Wilson leads off by covering Lenoir's Vietnam Blues, that speak as much to George W. Lenoir, "Skip" James and Blind Willie Johnson. It celebrates three of the Blues' greatest disciples: J.B. It is my favorite, and one of my favorite Blues CDs.
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#Martin scorsese presents the blues the soul of a man series#
And that only demonstrates its pervasive influence.This is a soundtrack from one of the Martin Scorsese PBS Blues series episodes of the same name. If the album doesn't really work as a collection, despite the individual talents and performances included, that may suggest that "the blues" has long-since become an umbrella term covering many different musical styles, not all of which work well together. But that is in keeping with the series of films on which the five-CD set and this highlights disc are based. Purists may object reasonably that it covers a very wide range, from the rural blues of Robert Johnson to the Southern rock of the Allman Brothers Band and the - what can one call it? - designer blues of Keb' Mo'. At the very least, it contains many indisputably classic blues performances by some of the indisputably major blues artists. But the way one judges this disc may depend upon whether it is trying to be "the best of the blues" or "the best of 'The Blues.'" It hasn't much hope of being the former, but as a one-CD sampler of the five-CD set, it does just fine. Even if all of that other material didn't make it clear, the absurdity of reducing the blues to a one-hour, 17-track album would be obvious anyway. And you might say it all boiled down to this single-disc distillation, which draws upon the vaults of major labels Universal and Sony.
#Martin scorsese presents the blues the soul of a man plus#
A massive media campaign comprising seven documentary films broadcast on public television and released as a DVD box set, plus accompanying soundtrack albums, a 13-part radio series, a companion book, 12 individual artist compilations, and a five-CD box set, The Blues, executive produced by filmmaker Martin Scorsese, threatened to be even more all-pervasive than Ken Burns' Jazz project, after which it was clearly patterned.